Sara Gordon Brogdon
Artist, Art Teacher, Muralist, Art Outreach Enthusiast

by Sara Brogdon

Curriculum Vitae
SARA GORDON BROGDON sarabrogdonart.com
206-384-1400 Woodinville, WA
PERSONAL STATEMENT EDUCATION I am a professional artist passionate about teaching innovative visual arts; drawing, painting, ceramics, photography, and digital design, while providing a safe, inclusive space for learning at all levels. I am dedicated to student welfare, success, and creativity and quickly win the trust and attention of students, peers, and superiors. I strive to accommodate learning differences among students, engage students one-on-one, and make difficult art theory topics approachable for anyone. I am a professional painter and studio artist focusing on artist community outreach.
EDUCATION
  • Master of Arts in Teaching, Central Washington University, Ellensburg, WA
  • Master of Fine Arts in Painting and Drawing, Academy of Art University, San Francisco, CA
  • Bachelor of Art in Painting and Drawing, University of New Orleans, LA
  • Endorsement in Visual Arts
KEY SKILLS 
  • Photoshop proficiency 
  • Curriculum Development 
  • Canvas, Schoology & Adobe Creative Cloud proficiency.  I
  • Inquiry-based Interactive Lessons & Instruction 
  • Studio art & multiple medium mastery 
  • Classroom Management 
  • Digital Art & Design
AWARDS 
  • Public Art Intensive Eastside Artist for Redmond Lights, Redmond, WA. 2021
  • Purchase Award and Exhibit Award, Centennial Center Gallery Summer Art Exhibit, Kent, WA. 2019 
  • Traffic Box Wrap Project Winner, Olympia, WA. 2018
FULL-TIME CERTIFICATED VISUAL ARTS TEACHER
Woodinville Montessori School January 2023 – Present
Teach Visual Arts to 4-12th grades. Plan, instruct and assess students in the core standards of Visual Arts. Focusing on creative, student-centered lessons to enhance collaboration and growth mindset among students while fostering classroom and student rapport. Collaborate with teachers and administration to produce student-led art projects such as yearly school auction, large-scale school murals, art used in and for Music performances, orchestrating and heading the annual Art Walk in April, and enhancing school climate with positive, inclusive, and collaborative art projects on display.
FRAMER
Willard Art and Frame January 2025 - June 2025
Designed customized framed artwork for clients, inventory intake and organization, cut glass, measured artwork, cut foam and backing, sold local artwork in gallery, and prepared framed artwork for clients and selling in gallery.
PART-TIME CERTIFICATED VISUAL ARTS TEACHER
North Seattle French School October 2022 – June 2024
Taught Visual Arts to K-5th grades. Planned, instructed and assessed students in the core standards of K-5th Visual Arts. Focused on creative, student-centered lessons to enhance collaboration and growth mindset among students while fostering classroom and student rapport. Collaborated with teachers and administration to produce student-led art projects such as yearly school auction, masks for school plays, and all-school art display.
VISUAL ARTS INSTRUCTOR
A three-week course for Meemli, Inc. (a 501-c3 non-profit) July 2022 and JULY 2025
Planned and instructed a visual art course to students from diverse backgrounds. Students were introduced to their project and medium, prepared studies, and completed art projects.
CERTIFICATED VISUAL ARTS TEACHER
Long-Term Substitute: North Creek High School, March 2022 – June 2022
Taught two Beginning Photography classes (9th-12th grades). Prepared and implemented detailed units on Photography composition and design, instructed students in Photoshop, and focused on elements and principles of design while teaching to a wide range of skill levels, including highly capable, special needs, and multi- language learners. Taught French 100 as a long-term substitute from May to June. Worked with students on vocabulary comprehension and memorization, presenting skits, and pronunciation skills.
STUDENT TEACHING INTERN
Kenmore Middle School, Visual Arts September 2021- December 2021 
Co-taught Visual Arts and Drawing and Painting to four classes (7th & 8th grades). Designed and implemented 10 weeks of differentiated, culturally responsive units on elements and principles of art, sculpture, still life painting, and drawing assignments. Graded diverse assessments and projects, including integrating a wide range of assessment strategies. 2 weeks of solo subbing for mentor teacher.
STUDENT TEACHING INTERN
Granite Falls High School, Visual Arts January 2021 – June 2021 
Co-taught CHS Ceramics to two classes (9th -12th grades). Designed a culturally sensitive unit on tile murals, implemented diverse lessons and culturally responsive curriculum. Focused on learner input, equitable instruction, assessments, and classroom management.  Taught students essential skills in social- emotional wellbeing, hand building and wheel throwing techniques, glazing, and firing. 
PROFESSIONAL ARTIST EXPERIENCE 
  • Studio Artist at Stilig Studio, Snohomish, WA.2021-2025 
  • Co-host of curated quarterly art shows at Stilig Studio for local WA artists. 2021-2025 
  • Head of Snohomish Art Community Public Art, Murals, and Installations group. 2022-2025
  • Member of Woodinville Arts Alliance: 2021-2025
PUBLIC ART
  • Sunflower Mural, Located on the eastern wall of the Todo Mexico Restaurant, Snohomish, WA. Mural partner: Laurie Olsen
SOLO EXHIBITIONS 
  • 2025 Avenue D gallery, Snohomish, Washington
  • 2019 State of the Art Gallery, Olympia, Washington 
  • 2018 Thurston County Juvenile Court Gallery, Olympia, Washington 
  • 2016 Drift Studio, Athens, Georgia 
  • 2015 The Hive, Augusta, Georgia 
  • 2011 The Bees Knees, Augusta, Georgia
 GROUP EXHIBITIONS 
  • 2023 and 2024 Snohomish Art Community (SAC) Studio Tour, Snohomish, Washington 
  • 2023 Spring Fresh- Stilig Studio, Snohomish Washington  
  • 2021 and 2023 Woodinville Arts Alliance Art Studio Tour, Woodinville, Washington 
  • 2021 Centennial Center Gallery (dual artist exhibit), Kent, Washington 
  • 2019 Centennial Center Gallery, Kent, Washington 
  • 2019 State of the Arts Gallery, Olympia, WA 
  • 2017 Lyndon House Arts Center, Athens, Georgia 
  • 2011 Arts Festival, Ketchikan, Alaska 
  • 2010 The Canary Gallery, New Orleans, Louisiana
CERTIFICATIONS 
  • Washington State Teacher Certification 
  • CPR, First Aid and AED: expiration 08/2026 
  • Boundary Invasion Certification, Northshore School District 
  • Bloodborne Pathogen Exposure Prevention Certificate 
  • Kevin Mitnick Security Awareness Certificate of Achievement
REFERENCES
1.
Liz Hoyer, Middle and High School Program Director, Woodinville Montessori School, Bothell, WA. 425-482-3184
2.
Jennifer Annable, Head of School, North Seattle French School, Shoreline, WA. 206-365-1034
3.
Amanda Spartz, Art Teacher, Kenmore Middle School, Kenmore, WA. 425-305-7472
Teaching Philosophy
My pedagogy revolves around a learner-centered, inquiry-based teaching practice that focuses on the holistic learning methods of students and their innate, unbounded potential. Through inquiry, students learn to ask questions to acquire answers based on evidence and data. As students develop the potential and expertise of inquiry, they become seekers of truth. The experience of art, artmaking, and art presenting centers around the ability to find and present truth or to manipulate that truth to present an illusion of another truth.
It is not my job alone to teach, but a collective endeavor. A healthy environment is one in which students can comment on their understanding, knowledge, and creative process, therefore impacting change for themselves and others. I see the classroom as a cooperative complex of relationships and, if secure in its environment, provides the safety needed for students to operate at a “zone of proximal development”. As a teacher, I am empowered to teach according to sociocultural theory, and I position social, rather than individual, processes as primary in the development of higher mental functions.
Teaching is dependent on learning, and teaching the art of inquiry is paramount to my teaching practice. In the 2001 revision of Bloom’s Taxonomy, the pyramid for learning was effectively updated to include a more dynamic conception of classification. By then, the creative process and the ability of students to generate, assemble, design, and create had become the highest cognitive process and a true measure of one’s metacognitive knowledge. In my content area, visual arts, all forms of learning processes are important, but the creative process is always at the forefront. Not only do we practice creating, but we study it throughout our daily learning practice, and subjecting all learning to the rigors of creating in a social environment. It is this collaborative creative process that propels me through the classroom threshold every day, and it is that same synthesis of knowledge that emboldens student voice to own their learning, challenging their curiosity and enhancing their ability to critically think and problem solve.
Finally, my goal as an art teacher is to aid student learning at the highest level of inquiry-based learning; that of open inquiry. Open inquiry allows for learning experiences fully designed by the student. Teachers provide guardrails, background knowledge, and learning goals, but students use their abilities and imaginations to conceptualize and create challenging assignments for themselves. Because of the nature of open inquiry-based learning, classroom environment is more equitable, skill development is heightened, and novel problems are tackled by students. I commend and encourage these creative endeavors happily, always striving to be inclusive of all learning styles so that the creative process might be unique, challenging, and meaningful to each student.
Diversity Statement: Demonstrating Commitment to Inclusion
My own beliefs revolve around inclusion and equitable opportunities for all cultures and marginalized communities. I have become more and more aware of my own biases as my education and teaching experiences have increased, and I intentionally pursue reflection and education on issues related to racial equity and gender equity. I recognize that, like all individuals, I carry implicit biases, and I strive to remain critically aware of how my privilege shapes my perspective and actions. This self-awareness informs my commitment to fostering an inclusive and equitable classroom environment. While teaching at the non-profit Meemli, Inc., I worked with underrepresented and economically disadvantaged students, an experience that deepened my understanding of the systemic barriers many students face. This has strengthened my resolve to advocate for greater institutional support and to create learning spaces where all students can thrive.
I diversify my curriculum to include all races, cultures, sexes, and perspectives to promote inclusive classroom environments and help students identify with leaders and creators across the spectrum of identities. Specifically, I include a growing, contemporary, inclusive artist list in my curricula for students to learn from and identify with. We investigate artists’ backgrounds, beliefs, motivations, and struggles before entering into a deep dive of their artistic abilities and achievements. I also hold every student to high expectations and encourage everyone to engage meaningfully with content and social interactions while remaining conscious of my own implicit bias and stereotyping.
In my classroom experiences, I have created safe and inclusive environments early on, allowing most class time to focus on student-centered learning, foundational skills, and student-led projects while adhering to core standards, challenging concepts, and rigorous content. I have tailored my approach to accommodate various learning styles and disabilities by using a range of media, including PowerPoint slides with translations, visuals, and audio options, to present instruction during class. I have utilized diverse methods for delivering instruction and set aside time after class and during office hours for students to complete artwork, explain more complex concepts and techniques, and reflect on my teaching practices to enhance future instruction that is more inclusive and rigorous.
I respect and account for all religious holidays, beliefs, and observances by adhering to each individual and culture. Through announcements and reassurances in class, I state I try to avoid major religious holidays when planning the course and am willing to modify instruction and assessment accordingly.
And finally, as a professional artist, I have been an active member of the Snohomish Art Community (SAC) since its creation in 2022. I was head of the SAC Public Art and Mural Group from 2023-2025, which provided inclusive volunteer opportunities for people of all races, backgrounds, and religions to create public art in and around Snohomish County. The mural group was fueled by grant money from the SAC. I was also a part of the Grant Writing Committee in 2024 and sought, researched, and developed grants for the SAC.
Letters of Recommendation:
Senior Faculty

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Reference letter Amanda.docx

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Letters from professors who know your work well.

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Sheryn Mehner Reference Letter.pdf

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reference letter jhernandez word doc.docx

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